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Domestic Violence Used to Mean A Battered Woman... Now, All That's Going to Change. When Bonnie Blackwell (Mimi Lesseos) is beaten almost to death by a sick and sadistic husband (Timothy Bottoms), she decides to face her fears and join the police force. Now a proficient protector of the law, she's fighting for justice on the streets of Los Angeles. But when her husband is released from prison, she must face her deepest most inner fear and conquer the emotional scar of domestic violence.
Angel Note超自信作!!珠玉の主題歌曲集。豪華ボーカリスト・アルバム。Star Rose Label移籍後初のベストコレクション!ジャケットはゆずソフト「こぶいち&むりりん」氏による描き下ろし!
アトリエかぐや・チームBerkshire Yorkshire最新作「プリマ☆ステラ」に主題歌マキシがリリース決定!ボーカルを担当するAngel NoteのクイーンRiryka本人が書き下ろした新曲を含む強力シングル。広大な令嬢学園・聖エトワールを舞台に紡がれる少女たちの物語を、Rirykaがしなやかな歌声で謳いあげる!
Rob Reiner's directorial debut has developed into a cult phenomenon. The film that invented the "rockumentary" has now outlasted most of the bands it mocked. Following the ill-fated American comeback tour of an aging heavy metal group, this film has joined the ranks of the greatest comedies ever made.
Feed your head. This is the basic premise undergirding various
Brainwave packages (
Brainwave Suite,
Brainwave Symphony) assembled by acoustic theorist Jeffrey Thompson. Thompson takes things audible (nature sounds and average electronic music on "Suite"; orchestral music on "Symphony") and implants in them subsonic pulses and frequencies (but not subliminal messages, we're told) that allegedly attunes the brain to prescribed, desirable states: theta waves for "uplifting emotion", alpha for an "alert, relaxed mind", and so on. For this set, Thompson offers four hour-long discs, each divided into two sections. The first involves guided imagery delivered in a strange, disembodied voice by Owen Morrison. The second is a windswept, atmospheric drone of electronics that at times effectively invites your mind to float away on an astral voyage. This is essentially what is heard on the first half, only cluttered by Morrison's persistent and, to the uninitiated ear, annoying chatter. "Feel the exquisite melody of joy rippling through every cell", he tells us. It's a little tough when his oddly fuzzed-up, sci-fi voice sometimes goes on and on as if he is delivering baseball play-by-play from another dimension. That's a pity, because the latter halves offer blissful, above-average states of motionlessness. (Of course, for superb space-walk music, investigate Jonn Serrie.) --
Terry Wood
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